In Geneva, the Théâtre de l’Orangerie began by looking at its feet

In Geneva, the Théâtre de l’Orangerie began by looking at its feet
In Geneva, the Théâtre de l’Orangerie began by looking at its feet

Published on June 13, 2024 at 6:02 p.m. / Modified on June 13, 2024 at 6:05 p.m.

No, a clone is not immortal. Although he defies the Camarde by prolonging the existence of a deceased individual, he too has an expiration date. This is why the first show at L’Orangerie becomes sad after being cheerful. Because the three clones that make up Catherine Büchi, Léa Pohlhammer and Pierre Mifsud end up passing away at the end of a Chekhovian climax which lasts, lasts, and then dies.

Other episodes from the Collection: At the Théâtre Saint-Gervais, objects from yesterday come back to life and amaze

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