Pamela Anderson brought a bold twist to monochrome dressing at the Golden Globe Awards Golden Eve party, held Saturday night in Los Angeles. The famous actress is nominated for the Best Female Performance in a Motion Picture – Drama award for her role in “The Last Showgirl” at the 2025 ceremony, which will take place on Sunday.
Gilbert Flores
Anderson chose a full outfit from Dior’s Spring 2025 collection, which consisted of a black off-the-shoulder belted trench dress and opera-length leather gloves. A pair of open pumps completed her ensemble. She opted for minimal makeup, with her ash blonde hair straightened and bangs.
Last November, the actress attended the 2024 Miami Film Festival in another monochrome look, this time by Brunello Cucinelli. There, Anderson received the Art of Light Award, which recognizes cinematic artists whose exceptional work illuminates the continuing evolution of cinema.
Gilbert Flores
The former Playboy cover girl wore an argyle turtleneck, white shirt and ivory wool coat, adding diamond earrings and metallic peep-toe pumps.
Opera-length leather gloves have proven to be a popular red carpet accessory in 2024, with stars including Greta Lee, Selena Gomez and Ciara sporting them at high-profile events like the Screen Actors Guild Awards and the Baby2Baby Gala. Elbow-length gloves in various materials — including tulle and velvet — have also been seen on Joey King, Laverne Cox and Angelina Jolie in the past year.
“The Last Showgirl,” directed by Gia Coppola, granddaughter of famed author Francis Ford Coppola, follows the story of Shelley (Anderson), a Las Vegas entertainer after the city’s last show closes.
Gilbert Flores
Pamela Anderson’s presence at the Golden Globes highlights the comeback of the monochrome aesthetic, which allows celebrities to assert their style while adopting a minimalist approach. The understated elegance of her sartorial choices could inspire a new trend in Europe, where fashion often favors refined simplicity and personal expression through carefully considered ensembles. In a media landscape dominated by bold fashion choices, Anderson’s ability to combine tradition and modernity seems like a breath of fresh air, which deserves to be applauded.
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