In just seven years, Harris Dickinson consolidated a career that positions him as one of the most versatile and promising actors of their generation.
Since its debut in Beach Rats by Eliza Hittman -review Vogue-, where he sensitively explored the internal conflicts of a teenager in Brooklynuntil his recent portrayal of an ambitious intern in BabygirlDickinson demonstrated a unique ability to transition between independent dramas, black comedies y stylized mysteries.
They are filmography includes hits like The Triangle of Sadness by Ruben Östlund, which earned him a Palme d'Or at Cannes, and The Iron Claw by Sean Durkin, where he delves into the emotional complexity of a professional wrestler. Other recent titles, such as Where the Crawdads Sing y See How They Runthey reaffirmed their ability to adapt to projects of different scope and tone.
In his most recent role in Babygirldirected by Halina Reijn, Dickinson plays Samuel, an inmate whose relationship with Romy, a powerful CEO embodied by Nicole Kidman, transcends the professional to become a dynamic full of strain, desire y power exploration.
The film, which premieres this Christmassharply addresses themes such as female desire, modern masculinity, and the complexities of interpersonal relationships. According to the actor, his character faces a deep internal conflicttrying to define his identity and masculinity in a world where outside influences, such as internet and the pop cultureare omnipresent.
Dickinson remembers meeting Kidman at the Met Galaa meeting facilitated by Margaret Qualley, before filming began. “I thought I should say hello to her, since we were going to work together.”he comments. That initial connection quickly blossomed into a strong professional dynamic during filming.
Kidman, known for her playful approach and his willingness to experimentleft a lasting impression on Dickinson, who highlights her ability to give herself completely to her characters.
Among the anecdotes from the filming, the actor recalls the filming of a scene in Manhattan where Kidman, lying on the asphalt while a dog jumped on her, caught the attention of passersby.
Another highlight is the scene in which Samuel performs a dance to “Father Figure” by George Michael. Although the sequence was not choreographed, Dickinson describes how she designed her movements spontaneously, balancing personal expression and interaction with Kidman's character. “It was uncomfortable to do it in front of the technical team, but part of the process”he admits.
Dickinson's authenticity is also reflected in how she approaches her relationships with directors and colleagues. Underlines the importance of quickly building trust with filmmakers to ensure smooth performance.
“When you work with people like Halina or Nicole, who aren't afraid to try new things, you feel like you have permission to take risks too,” she explains.
The actor reflects on his beginnings in cinemaremembering his work as an assistant on sets and how those experiences shaped his professional ethics. “I wanted to work, learn, absorb everything I could”confesses about the days before his big break on the big screen with Beach Rats.
Off the set, Dickinson defines herself as a simple personwho values the connection to his home and his hobbies. This year, he hopes to resume his love of cooking during the Christmas holidayswith plans to prepare a short rib ragout that he describes as “an absolute delight”.
As for her red carpet style, she considers it a creative extension of her work, an opportunity to collaborate with her stylist, Ben Schofieldand experiment with your image.
The premiere of Babygirl generated diverse and intense responses. Dickinson recounts how her mother and sister, although initially concerned about the provocative nature of the film, enjoyed the experience.
“My mom even brought a turtleneck sweater in case she had to cover her eyes.”he jokes. Audiences, for their part, reacted equally passionately, from older women openly commenting on the film's sexuality to audiences finding the story a liberating exploration.
At 28 years old, Harris Dickinson continues to defy expectations and explore new facets of his talent. With each project, he demonstrates an extraordinary ability to play complex and resonant characters. Babygirl marks a milestone in his career, cementing his place as one of the most exciting figures in contemporary cinema.
