This film, acclaimed by critics and the public, was the nice surprise of 2021 at the cinema: Netflix has just acquired an award-winning work at Cannes

News culture This film, acclaimed by critics and the public, was the nice surprise of 2021 at the cinema: Netflix has just acquired an award-winning work at Cannes

A successful portrait

“Julie (in 12 chapters)” tells the story of a seemingly happy young woman. In a relationship with a successful comic book artist, she seeks, after finishing her studies, to find her professional path. In reality the heroine doubts that her romantic relationship suits her. While her partner puts pressure on her for a child she doesn’t want, Julie feels that she has no time to waste and that she must enjoy her life. Especially since she wonders more and more about the viability of her relationship following a crush she had on a stranger named Eivind (played by Herbert Nordrum)? On a professional level, the young woman seems just as lost, what job is right for her: Surgeon? Psychologist? Photographer?

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The film was released in 2021 and has been available since October 12 in the Netflix catalog. Here is the opportunity for you to discover this noted work 7.3 on SensCritique which received the prize for best performance at the 2021 Cannes Film Festival for the performance of Renate Reinsve who plays Julie. This role was also written especially for the actress. This project is similar to that of 2011 “Oslo August 31”where the actress also plays”. Indeed, the two films evoke the realization of a man who realizes that he has reached the halfway point of his life.

The complexity of existence

As in “New Deal”another film by director Joachim Trier, Julie in 12 chapters is constructed in 12 sequences relating important episodes in the life of the main character, a prologue and an epilogue. All this takes place over several years. The desire behind this narrative structure is, according to Trier, to reinforce the “melodramatic and very emotional” side of the story. .

It was with the help of his co-writer, Anders Eskil, that the director managed to develop a plot based on the complex themes of love and time. In an interview at the Cannes Film Festival, Joachim Trier explains that the English title “The Worst Person in the World” refers to Julie’s self-perception of herself, this heroine who has the impression of being “a spectator of her life”. The feature film is rhythmic and oscillates between romantic comedy and drama. The intention of this project is to tell a “big-hearted” and “generous” story by arousing empathy from spectators in the face of characters who sometimes make bad choices. Perhaps you will find things in common with Julie, at least that is what the man behind the film felt.