The American actor and director, Sean Penn, a key figure in world cinema, captivated his audience during a press conference held in Marrakech on the sidelines of the 21st edition of the Marrakech International Film Festival. Between intimate reflections and powerful responses, he shared his vision of the profession, its commitments and the challenges of our time.
Asked about the part of himself he brings to his roles, Sean Penn surprised with his humility: “ Regarding the real Sean, he is constantly changing in a schedule that never stops. So I don’t have a clear answer to give you yet. “, he confided.
Known for his outspokenness, the actor, when asked about the importance of expressing himself, described his approach to the world and art as that of an artisan: “ I’ve never felt comfortable using terms like activist, humanitarian, or even intelligent. Whether as an actor or in other forms of public engagement, I have always seen myself as a plumber, seeking to understand a problem and fix it ».
When a question focused on the younger generation, hesitating between activism and artistic careers, Penn did not mince his words: “ I would tell them to never use social media for themselves “. According to him, these tools distract individuals from their authenticity and their true aspirations.
Hailed for his performance in Asphalt City, then asked about the method he followed to prepare for the role, Sean Penn first emphasized the importance of collaboration with talented directors and partners: “ I worked with an excellent director who gave us a lot of time to deepen our interpretation. I also collaborated with a talented actress ».
When discussing his experience with Clint Eastwood on other projects, he highlighted the magic of first takes: “ It requires careful preparation for that first take to be authentic. With other directors, the approach can be more thoughtful over several takes “, he explained.
When asked about his role as “ diplomat » in Morocco on behalf of the United States, Sean Penn wanted to clarify his position: “ If by diplomat for the United States you mean a spokesperson, I don’t see myself as one. Like many countries today, we face great challenges in defining our collective identity. In this context, we strive to contribute in a positive way. Personally, I consider myself a patriot, but perhaps a patriot in crisis. I remember Brendan Behan, who, when asked about entering politics, replied that he couldn’t because he only had one face and refused to hide it ».
Repair the world, despite everything
Sean Penn spoke at one point during the conference of being “ a plumber repairing leaks “. An expression that prompted a journalist to ask him, given the numerous “ leaks » in the house today, which seemed the most urgent to him.
Faced with this question, Sean Penn used a strong image to describe his approach: “ If we only focus on a leak, we risk missing the entire pipework. Despite the major challenges facing the world, I wake up every day with some magic for this world “. Penn insisted on the need to not give in to a culture of complaints, while remaining aware of the dangers that await us.
Asked about having had the opportunity to watch a Moroccan film, Sean Penn did not fail to mention his appreciation for the work of Asmae El Moudir, The Mother of All Lies, awarded during the 20th edition of the FIFM. According to him, this type of production illustrates the richness and power of Moroccan cinema, capable of resonating beyond borders.
In a mixture of sincerity and reflection, Sean Penn left his mark in Marrakech. Through his responses, he confirmed that he was not just a star, but an artist and a committed thinker, always ready to “ repair leaks » of the world in his own way.
