Exhibition review: “Ellsworth Kelly, shapes and colors”, a disappointing scenography?

Exhibition review: “Ellsworth Kelly, shapes and colors”, a disappointing scenography?
Exhibition review: “Ellsworth Kelly, shapes and colors”, a disappointing scenography?

“Ellsworth Kelly: shapes and colors”

From May 4 to September 9 at the Louis Vuitton Foundation, Suzanne Pagé is the general curator, assisted by Emily Wei Rales, Nora Severson Crafitz, Yuri Stone, Olivier Michelon and Clotilde Monroe.

On the occasion of the celebration of the centenary of the birth of the artist, Ellsworth Kelly. Forms and Colors, 1949-2015 is the first exhibition in France to approach in such a broad manner the work of this essential creator of the second half of the 20th century, both in terms of its chronology and the techniques it brings together. Organized with the Glenstone Museum (Potomac, Maryland) and in collaboration with the Ellsworth Kelly Studio, the exhibition brings together more than a hundred pieces, paintings, sculptures, but also drawings, photographs and collages. The exhibition benefits from loans from international institutions (Art Institute of Chicago, Kröller-Müller Museum, Museum of Modern Art, San Francisco Museum of Modern Art, Tate, Whitney Museum) and private collections.

Ellsworth Kelly is considered one of the most important American abstract painters and sculptors. Spanning seven decades, his career is marked by the independence of his art from any school or artistic movement and by his innovative contribution to 20th century painting and sculpture.

The exhibition catalog is available from Fondation Louis Vuitton.

Critics’ opinion: to come…

  • Sally Bonn
  • Stéphane Corréard

“Matthew Barney : secondary”

From June 8 to September 9 at the Fondation Cartier

The Cartier Foundation for Contemporary Art presents the first institutional exhibition of Matthew Barney in France in more than 10 years. Visitors will be able to discover the latest video installation by the American artist, entitled Secondary, alongside works specially created for the occasion. To accompany the exhibition, the Cartier Foundation is also offering an exceptional program of events and performances.

The Cremaster Cyclea set of five films made by Matthew Barney between 1994 and 2002 will be visible at the Christine Cinéma Club in Paris on June 29 and 30, 2024.

The Max Hetzer gallery in Paris presents a free exhibition, Matthew Barney: Secondary: Object Impactuntil July 25, 2024.

Critics’ opinion: to come…

  • Sally Bonn
  • Stéphane Corréard

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