Published on November 28, 2024 at 5:29 p.m. / Modified on November 28, 2024 at 9:07 p.m.
3 mins. reading
A dancer, Erasyel, who interacts with a medieval sword, Zelda style. Another, Lea Samira Bernath, who plays musical spoons, armailli style. A third, Esther Bachs Viñuela, who, with a flashlight “plugged” into her anus, moves among the spectators to question their relationship to representations of the feminine. Or the FÄZ trio which shows to what extent dance, like sport, can exhaust the body.
Sévelin’s 17th Quarts d’heure, the oldest springboard for emerging dancers, is striking for the frontality of the proposals. In this edition to be seen until Friday evening, we are far from the questions and fragilities that may have marred previous editions.
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