It is a high-level spectacle that Léo Brière serves us. Better constructed and more composed than its previous one, “The Forbidden Experience”. At the Théâtre du Gymnase, in Paris (10th), the mentalist takes us on the train of our lives. Station atmosphere and suitcases at the opening. He performs an anthology of numbers throughout the evening, in a gentle, almost introspective atmosphere. Tells us about her dad who left too soon, invites a spectator to write a letter on stage to someone she hasn't seen for a long time, and take the opportunity, perhaps, to reconcile with “Nadine, your mother” , guesses Léo Brière, handing him a stamp, to stick or not on the pardon envelope. The spectator, moved, does not give much thought.
The scene transforms into a cabinet of curiosities, shelves decorated with butterflies, skeletons, a garden gnome, and relics. The mentalist brings up a woman and a man alongside him. They think of a loved one, a famous person. Léo Brière guesses them. Surfs on regrets, invites us to reflect on the unfortunate words that take us away from loved ones.
