Having decided about fifteen years ago to launch herself into pictorial art, Monique Perry has today acquired a mastery and a style all her own. Using acrylic or pastels, she lays on the canvas the portraits and female bodies that nourish her inspiration.
His exhibition at the Bailli gallery deals with a subject close to his heart: shorn women at the end of the Second World War. The faces of these publicly humiliated victims, sometimes wrongly accused of having flirted with the invader, are displayed in large format on Monique Perry’s paintings. These works are accompanied by texts and period articles, to denounce “this scandalous mistreatment, this unhealthy power which aims to make women ugly to the point of erasing them from the community. »
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A reading will be presented on Saturday evening with illustrations by the students of actress Amélie Armao. Mariel Fransot’s paintings are also visible at the Bailli in her exhibition Phare & boussole.
