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Do not entrust him with a course of Gender Studies.
Because subtle level decryption of gender stereotypes and introspections of “the deconstructed man” (Hello Timothée Chalamet), singer Marc Lavoine would gladly go to the catch -up. Invited in the morning program of Pascal Praud, modestly entitled Pascal Praud and you, on the waves of Europe 1, the tenor interpreter of Revolver Eyes, indeed went there with his sociological analysis which makes us want to reread Mona Chollet: “”I was raised with my grandmothers, my ninette aunt I was raised like a girl“
“I was doing the dishes … I participated in the lives of women and it helped me a lot“, he continues in this touching confession. Curious equation … Growing up in an environment predominantly female (men having certainly been too high as guys), taking care of domestic tasks by ensuring their equal distribution = being raised as A girl?
Apparently, to believe the fine synthesis of Marc Lavoine.
Not the most “deconstructed” voice of the people, Marc Lavoine?
However, with the star host of the pros hour, Marc Lavoine had first confided in a moving way …
Addressing the complicated reluctance to live from his mother at birth. “”My mother had initially refused me, she refused to see me. Then when she saw me, she took me against her, she called me Marc, and she raised me“… not so easy to confess:” mother's sickness “, where reluctance to bear maternal load, the complexity of this role, and family relationships. Many feminist texts abundant in testimonies have been talking about it lately.
-Then the singer unfortunately allowed this image a bit less subtle “female education”. Not of the happiest when essays and testimonies of Damons are increasingly emphasizing the importance of emancipated education of gender stereotypes, sexist prejudices and clichés. Blue for guys, pink for girls …
Reflection all the more curious as the slight controversies are not lacking in the subject of Marc Lavoine.
In parallel with this deaf perplexity, the singer is also accused of erecting as “woman trophy” his very media new companion, the model Adriana Karembeu. With each public exhibition, under the flashes of photographers, he would kiss her too much, looked as optional, would touch her a lot against journalists, with a lot of pride. Very important gestures of affection for some synonyms of love, for others of typically male show.
We dedicated an article to the trope of the “trophy woman”: when a guy “displays” his wife less as an soul sister than as an external sign of success, confirming his notoriety, his quality as a seducer and there virility. Because who says “trophy” says “performance”, and above all, “competition”.
Absurd attacks in the eyes of the principal concerned.
Which retorts on the set of “C to you”: “Adriana, I kissed her because I wanted to. Time is short, I am 62, I tell myself that it may be the last day of my life, so I want to kiss her on the last day of my life“. Carpe diem, therefore.
