True grandeur is crushed or erased, it buys and sanctifies. True grandeur is in the absolution of evil by and in acts and discourse of generosity. To slaughter we lean, but to feed you rise. No one can degrade without getting dirty. No one becomes large by terraging weakness. The fake size is for the weak, but humility seems to be weakness in vulgar and insane.
Freedom is too precious, it is even vital for man, but a freedom obtained in lies and compromise is more vile than any form of servitude. Abdou Ngéer will not mimic any disease or leased to escape justice. Socrates accepted death in the face of the arbitrariness of his society with dignity:
His executioners are, for the most part, forgotten; Those whose names still follow the splendor of that of Socrates. The intellectual cannibalism of the executioners of Socrates is the eternal call that the master of maieutics has made his unreed condemnation. Evil is as old as the world, he will probably remain because he will have to live his trial, but the triumph of evil is only an illusion.
Abdou Ngéer deserves freedom more than many people haloed with lies. His only wrong is to be free, so free that he could no longer evolve in a free world embedded in the false. That’s why he took his
Hammer to intelligently deconstruct the wall of lies and denials which stifles the freedom of his fellow citizens. It was to open the eye of the Senegalese in the sunlight that he took the risk of facing the enemies of clarity.
Abdou Ngéer is the natural replica to the political profile of Ousmane Sonko whose all the political heritage lies in the scripting of indignation. He has invested so much in the hate market against the elites, which we can no longer have a dissonant audible discourse by passing through the emotional channel. Arouse laughter where he has invested in hatred massively. This is exactly what the new generation of columnists does. They exploit this artistic process to experiment what is agreed to call the performativity of indignation. Just as the statements are sometimes performative (Austin) indignation is endowed with performativity, and this
doubly. First of all because it is contagious: men are psychologically inclined to criticize or hate rich and other elites. Then because indignation is easier to handle than reason.
Ousmane Sonko has scripted his imaginary illness, he has scripted his various trials and even his “vision”. He opted for dialogue with affects and had the result we know. Today he is chilly at the idea of seeing the comedians delight the star and serve as an outlet with too full of dissatisfaction that rumbles from everywhere. He also made disinformation the main political doctrine of his party. No one has ever seen the initiator of a rejected law claim a constitutional victory. No one has ever seen an alleging PM having seen a wealthy account of more than 1000 billion. No one has ever seen a PM warn the president and the administration for inertia in the face of the maneuvers of the opposing camp. No one has ever seen the results of the product of the product sent abroad to measure the degree of its toxicity. No one has ever seen a “hero” admitted to his followers that he played in Molière’s illness so as not to have to answer for his actions before justice.
Pastef governance is a constant simulation with outrageous use of PowerPoint and other modeling tools. This is what Ngéer and Company understood: they understood that it is not by
Doctrinaire logical reasoning that we will overcome the imposture. In the magmatic explosion of performative indignation, it was necessary to go through humor to break the hatred bid, lower the temperature and encourage reflection.
ABDU NGÉER
Alassane k kitane
){kind=link}