Cinema abuse
The film skillfully mixes archive images when they exist, and fictional images with Leila in a white dress that walks through time and territories to show us the invisible on the fringes of explosions and fights.
Complete criticism is available on the site Cinema abuse
The cinema sheets
inote Bossard-Gianvesini
Made in 1984, “Leïla et les Loups” is released in a restored version – the opportunity to discover a work whose political subject is served by its formal beauty.
Complete criticism is available on the site The cinema sheets
Libération
The combative fiction of the Lebanese filmmaker, which stands out in theaters this Wednesday, May 7, flies over the place of women in eight decades of the history of Palestine and Lebanon.
Complete criticism is available on the site Libération
Telerama
Directly inspired by the character of Shéhérazade in the Thousand and One Nights, this feminist heroine wanders in an immaculate white dress between 1900 and 1980, between Palestine, Lebanon and England, a country shaken by conflicts, and mainly questions the place of women in wartime. Of disturbing liveliness and news.
Complete criticism is available on the site Telerama
