To help our readers navigate the abundant cultural offerings, journalists from the Culture department of Libé clear the ground and deliver to you the essentials of what they liked in the news of film releases, albums, plays and shows, series and books. And every Saturday, our Top 10 of the week, all disciplines combined. Find our selections.
On Apple TV+
“Severance”, a season 2 that draws its attention from “I”
Three years after the immense success of the first part, the dystopian series where the characters split between work and the intimate sphere, takes on a remarkable focus on multiple identities. Read our review.
On TF1+
“Elsbeth” is a flop
The brilliant Michelle and Robert King exfiltrate a lawyer from The Good Fight to transform her into a high-pitched New York Columbo. Seductive but already seen. Read our review.
On France Tv
“The Conspiracy of Silence” closes its indictment against Yonne
Third and final season of the successful documentary series which denounces forty years of police and judicial dysfunction in the Burgundian department where Emile Louis and Michel Fourniret took part in particular. Without falling into sordidness or pathos. Read our review.
Sur Netflix
“At the dawn of America” is bullshit
In a predictable and depoliticized western, the survival story focuses on a little-known Mormon war. Read our review.
-On Max
“The Pitt”: samu friends
Unofficial reboot ofEMERGENCIES, which earned it a lawsuit from the rights holders, the medical drama, cleverly apathetic, plays on nostalgia. Read our review.
On Canal+
“Families Like Ours”, Western Traffic
Thomas Vinterberg signs a series of anticipations where Denmark, faced with the risk of rising waters, disperses its indifferent inhabitants throughout Europe and for whom only the fight against their downgrading prevails. Read our review.
Disappearance
“Twin Peaks”, the stirring images of David Lynch
Lynch and Frost's master series, broadcast from 1990 to 1991 then resurrected in 2017, abolished the boundary between small and big screen. Its critical and popular success heralded the emergence of another way of making television. Read our analysis.
France
TV
