On Netflix, fifteen good comedies to (re)watch to chase away the depression

On Netflix, fifteen good comedies to (re)watch to chase away the depression
On Netflix, fifteen good comedies to (re)watch to chase away the depression

Let’s not let the prevailing gloom get us down. Netflix is ​​full of little burlesque marvels and comedies with cult lines, here are ten good films to keep you smiling.

By Sébastien Mauge, Macha Dussart

Published on June 24, 2024 at 2:27 p.m.

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Cunning Quenard: “Cash”

Photo Caroline Dubois

A young loser infiltrates the perfume factory of the richest family in Chartres, to torpedo it from the inside. This pleasant first film offers a beautiful showcase for the irresistible talent of Raphaël Quenard, an actor on the rise.

Rostand had a nose: “Edmond”

Gaumont – Legende Films – UMedia

Virtuoso and very cinematic self-adaptation by Michalik of his theater show on the theater. Swirling, funny, this comedy tribute to the limelight is full of panache, carried by a troupe of top-notch comedians.

Fable in Black and White: “Sorry to Bother You”

Universal Pictures

A young black man succeeds in telemarketing by taking on a white voice, but the change imposed on him by the laws of wild capitalism will not stop there… A comedy at first relaxed, then incisive and disturbing about the world of work.

The gay know: “Love, Simon”

Netflix

Be careful, teen-movie phenomenon and milestone, since it is the first from a major studio to treat coming out with frankness and a certain lightness. Performed by young Hollywood stars, finely written and with sparkling humor.

Neo-Cluedo: “Glass Onion: a story of daggers drawn”

Photo John Wilson/Netflix

After the success in theatersAt loggerheads, Daniel Craig and director Rian Johnson are back for the second part of what is now a Netflix franchise. A less spicy but sharper sequel to this part of Cluedo among the rich, which in passing scratches Trumpist America.

Jean-Pascal, the agitator: “Simply black”

Gaumont

Actors full of self-deprecation in a mockumentary that sends clichés about black people and communitarianism flying. Bold and biting.

Zadist and Voltaire: “Problemos”

Photo Serge Blondeau/Albertine Productions

The last survivors on Earth after an epidemic, the members of a community of Zadists from Ardèche have free rein to rebuild everything. The regressive humor assumed, sometimes to the third degree, of this crazy fable does a lot of good. A sequel would be in writing…

Marmaï derails: “Free!”

Photo Claire Nicol/Les Films Pelleas

A fiery policewoman (Adèle Haenel, perfect in her first comedic role) strives to protect a handsome innocent (Pio Marmaï as a brilliant swashbuckler), once trapped by her cop husband. A festival of blunders as poetic as they are burlesque.

Diabetes and wicked: “Charlie and the chocolate factory”

Warner Bros.

Johnny Depp as a strange confectioner, complex hero of a children’s tale, possible heir to Edward Scissorhands. Tim Burton blockbuster style, but bittersweet, offbeat and successful. Its “prequel” Wonka, released at the cinema for Christmas, doesn’t lack gluttony either…

Fetch the cow! : “Monty Python, Holy Grail!”

Python (Monty) Pictures Limited

A ferocious beast (a rabbit), French cow-throwing knights, anarcho-syndicalist plowmen and the quest for the Grail… Derision, absurdity, satire on the myths and failings of British society: the most hilarious of hilarious films.

Stop! Or I’ll shoot myself in the head with my hand! : “The infernal Montparnasse Tower”

4 Guys with Glasses Production/UGC

Confronted with hostage-takers, Éric and Ramzy – assisted, very poorly, by Marina Foïs in great form and Serge Riaboukine, not bad either – foil their plan, simply armed with their zero IQ points. Stupid, but so funny because of its stupidity.

Déjà vu that we love to see again: “A day without end”

Columbia

A cynical journalist must cover “Groundhog Day” in a remote town… Suddenly, a spatio-temporal paradox, he relives the same twenty-four hours eternally. The screenplay is a brilliant exercise in style. Bill Murray is (still) immense.

Right to disconnect: “The Mitchells against the machines”

SPAI

A frosty but clever ode to big nonsense. A joyous bazaar spiked with hilarious humor and unbridled creativity. Behind the laughter lies the praise of imperfection coupled with a scathing reflection on our dependence on connected objects.

Animated film by Michael Rianda and Jeff Rowe (United States, 2021). 1h54. Watch on Netflix

I’m fine, everything’s fine: “Happiness Therapy”

The Weinstein Company – Mirage Enterprises

He leaves the psychiatric hospital, she is widowed and depressed, everyone lives with their parents again. The romantic comedy updated by David O. Russell in a battered America. Ultra manufactured, but carried by two radiant actors.

In quarantine: “Victoria”

Ecce Films

A criminal lawyer in the middle of a crisis… After The Battle of Solferino, Justine Triet has created a catchy comedy that clearly embraces its Hollywood role models (Billy Wilder, Blake Edwards). Virginie Efira is cute…

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