L'Amour ouf at the French box office: which blockbuster was beaten by Gilles Lellouche's film? – Cinema News

Box office France from November 6 to 12, 2024

1 – L’Amour phew: 703,293 entries (cumulative: 3,739,959)

2 – Mr. Aznavour: 410,535 entries (cumulative: 1,481,273)

3 – Juror no. 2: 381,532 entries (cumulative: 1,108,345)

4 – Venom – The Last Dance: 373,418 entries (cumulative: 1,110,268)

5 – Louise Violet: 227,850 entries (Novelty)

6 – The Substance : 213 190 entrées (Novelty)

7 – Mylène Farmer – Nevermore: 201,065 entries (Novelty)

8 – Anora: 150,965 entries (cumulative: 363,469)

9 – The Wild Robot: 133,364 entries (cumulative: 1,616,214)

10 – Three friends: 125,971 entries (Novelty)

To retain

Deadpool and Wolverine fell to François Civil and Adèle Exarchopoulos! Always at the top of the French box office, without ever having trembled for its leading position, Love phew has now attracted 3,739,959 spectators. This is not Gilles Lellouche's record as a director, still held by the 4,302,062 of the Great Bath, but enough to surpass the blockbuster signed Marvel Studios.

Sixth biggest hit of 2024 in theaters, L'Amour ouf should not stop there. Gladiator II could seriously slow down its progress, but the feature film seems well on its way to knocking out Dune 2, or even Despicable Me 4, and placing itself at the foot of the podium. Behind Vice Versa 2 which seems a good distance away with its 8,426,571 entries.

Just behind, a three-way fight pitted Venom – The Last Dance, Mr Aznavour et Juror #2. Fourth at the end of the weekend, the latter gained a place at the finish to climb on the third step of the podium and prove Clint Eastwood's popularity in France, while this opus became his fifteenth in as a director to reach the milestone of one million admissions.

And the twenty-seventh of 2024, closely followed by Venom – The Last Dance, twenty-eighth millionaire of the year in French theaters. At the same time as the third opus of the trilogy to reach this milestone, even if it will be complicated to reach the record still held by the first feature film, released in 2018.

Just behind, three new products are neck and neck. Including one, the retransmission of the concert by Mylène Farmer, who achieved her very beautiful score in a single evening. And it's as impressive as the start of The Substance who, if he finishes just behind Louise Violetobtains the second best average per copy of the week, proof that Coralie Fargeat's radical proposal arouses the public's curiosity.

Opposed to The Substance at the last Cannes Film Festival, where it won the Palme d'Or, Anora only needed a week to become Sean Baker's biggest success in France, and further strengthens his record. With limited losses (-29% of entries compared to its first week), and the horizon of 500,000 spectators more than conceivable, which could allow it to finish with a score close to that of Without filter (569 712), winner in 2022.

Finally, let us note, in the rest of the ranking, the good start of Three friendswhich offers Emmanuel Mouret one of his best recent starts, ahead of those of Chronique d'une liaison passagère and Les Choses qu'on dit, les choses qu'on fait, but behind that of Mademoiselle de Joncquières, which remains his biggest success to date, with 547,442 entries.

Chiffres : CBO – Box-Office