According to the Audomarois Feminist Collective, the lyrics of this hit by Johnny Hallyday released in 1976 poeticize feminicide.
Wednesday November 6, as part of his tour where he mixes his repertoire with that of his father, David Hallyday will perform in Longuenesse near Saint-Omer in Pas-de-Calais. This will be his second concert after the launch of his tour on November 2 at the Millesium in Epernay near Reims. In Epernay, no incident marred the concert. In Saint-Omer, the atmosphere could be less festive. Before the two hours of the concert, the atmosphere around the Sceneo performance hall will be one to watch. The activists of the Audomarois feminist collective plan to tow when the 2,300 spectators arrive. They made it known this Monday morning in the regional daily The Voice of the North .
These ch'tis activists who usually put up posters with black letters on a white background to denounce sexual and sexist violence have nothing to reproach David Hallyday except the name chosen for his tour. According to their interpretation, Requiem for a Madman “I will poeticize femicide.” This collective of “descendants of petroleum workers” has around 400 subscribers on its Facebook account.
Released in February 1976, this hit written by Gilles Thibaut and composed by Gérard Layani was a big success with first place on the hit parade with more than half a million copies sold. When the rocker died in December 2017, Requiem for a Madman returned to the sales rankings. As music critic Bertrand Dicale recalls in September 2022, polls at the time revealed that it was the 9e Johnny's song preferred by the French. “So you know her, but you may not know why this man is locked up, obviously armed and threatening to shoot anything that moves…” he explains in a column. The song contains a chorus that has gone poorly since the Me Too movement: “I loved her so much that to keep her, I killed her/So that a great love always lives/It must die, it must die of love.”
Contacted by the Figarothe venue management explained: “We do not take a position on this subject. We have not heard back from the Prefect for the moment. We have never faced this type of problem. We don’t know if we will need more security.” If the Sceneo walls belong to a private owner, the place under public service delegation is managed by a subsidiary of Fimalac, owned by Marc Ladreit de Lacharrière. Contacted by the Figarothe feminist activists did not respond to us. “The tour has just started, there have been no incidents so far”explains surprised, a spokesperson for the company Richard Walter productions which manages David Hallyday's concerts.