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Word from the guest director | , the vital organ of our world

Ever since I was little, I have been fascinated by people. Everything related to philosophy, paradoxes and the diversity of human perceptions interests me deeply. I have always been curious about others, about what makes us different and, above all, about what has the power to unite us.


Published at 7:00 a.m.

alexandra stréliski

Guest director

, and particularly music, is for me a sort of alphabet of the intangible in which we can express thousands of shades of humanity. In my daily life, I have the chance to be in contact with profoundly true stories: births, bereavements, mental health trials, stories so overwhelming that I sometimes would have liked to be trained in helping relationships for respond adequately.

This led me to question the place of Art in our lives. What is the real function of Art in our society? And that of the Artist? One thing is certain: in my opinion, artistic expression is a vital organ of our world.

In an increasingly technological and globalized society, it seems essential to me to remember that Art is a profound vector of humanity and identity. This is one of the areas that I wanted to explore by having the chance to be invited as director for a day of the Arts section.

I also wanted to talk about the entrepreneurial aspect behind being an artist and the paradoxes that can exist between the two. Being an entrepreneur is nowadays an almost essential element for maintaining an artistic career, but there are still big taboos around the relationship between art and money, a big gap between the purity of the role that we attribute to artists and the business behind it. I wonder where that comes from. Where is the line between the commercial and the artistic? Can they coexist well? Besides, does an artist feel as credible when he becomes “popular”?

I am also fascinated by the social aspect attached to the Arts, by the fact that we often find there a refuge, a mirror, an escape, but also a community. I’m lucky enough to play in packed venues and I often tell myself that it’s not all about me. The fact of finding ourselves in communion around a piano or a guitar probably speaks more of the joy we experience in being together, surrounded by people who vibrate on the same waves as us, than of the artist himself. -even. But then, why are certain forms of Art classified as more “noble” than others? Do we need it as a social symbol to define us or even elevate us above others? These are thoughts that haunt me and I am very honored to have had the chance to explore some of these topics in depth with the team at The Press. It’s a real gift for me and I hope it will be for you too. Happy reading!

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A word from the director

Why Alexandra Stréliski

The invitation that we extended to Alexandra Stréliski to take the reins of the Arts section dates back a few months ago, but the issue that we are devoting to her ideas could not come at a better time. While the world is plagued by inflammatory lyrics and division, the emotion that emanates from his music has an undeniable restorative effect on many of us. If his art resonates so much with our humanity, it is because it comes from a person who is deeply sensitive to what and those around him. And as skilled with words as she is with the keys of a piano. We invite you today to let yourself be enveloped by his vision of the world, as you do with his songs.

Frédéric Murphy, director of the Arts section

The concept of guest director

It was conductor Yannick Nézet-Séguin who inaugurated the tradition of guest directors of the Arts section in 2014. The concept? In a way, we give the “keys” to the section to an artist, who is left to choose the subjects that our journalists will cover in this issue. A variety of personalities have been entitled to this treatment since then: comedian François Bellefeuille (2015), host Marc Labrèche (2016), writer Larry Tremblay (2016), singer-songwriter Cœur de pirate (2018), director Chloé Robichaud (2018), multidisciplinary artist Caroline Monnet (2019), filmmaker and author Anaïs Barbeau-Lavalette (2021), Sugar Sammy (2023) and now Alexandra Stréliski.

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