After Bucharest in 2023, the 25e Exhibition of the laureates and appointed Duchamp Prize affirms its anchor in the East, with no less than 18 artists exhibited at the Ludwig Museum in Budapest. The French scene exports to it with an assumed political accent, echoing the turbulence of our time.
Artists, professionals and observers of the art world concede him: the French scene suffers from a recurring evil, and struggles to acquire international visibility in the face of Anglo-Saxon superpower. Remedy to this lack, this is one of the missions that the ADIAF (the Association for International Dissemination of French Art has set itself, created in 1994) which confederates French collectors of contemporary art, and is the emissary of the French scene through the exhibition of the winners and the names of the Duchamp Prize which celebrates its 25th anniversary. “” We cannot be content to exist in France, Breathe Claude Bonnin, president of Adiaf. We are trying today to accelerate our program abroad, in particular through the exhibitions that we organize with the French Institute [qui injecte 30 000 euros dans l’exposition, ndlr] ». After Japan and Korea in 2011, then China from 2017 to 2019, ensuring an anchoring in the East, Adiaf is east since after-Cavid by opening its exhibitions in Bucharest (2023) and at the Ludwig Museum in Budapest.
A political breath
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