We received this great video from Peter Fetterman on Lillian Bassman.
“I am deeply attached to the sweetness, the fragility and the problems of the female world. »» – Lillian Bassman (1917-2012)
The big fashion photographs, when they are really successful, go beyond the simple staging of a mannequin in creative clothes: they evoke an atmosphere, tell a story and create an emotional link. Lillian was one of the big ones, capturing a distinct female perspective which distinguished her in a demanding sector, often dominated by men. Thanks to her ability to impregnate her narrative and atmosphere work she was always in great demand.
What made Lillian exceptional was his ability to arouse empathy and intimacy of his models, a talent that many of his male contemporaries struggled to reach. His “heroines” seem undeniably real, their presence that is both powerful and endearing.
-This mastery of the narration extended to his sets. The golden arrow, a luxurious Bateau train connecting London to Paris via Douvres and Calais, became more than a simple means of transport: it served as a striking decor for a funny photo of Frimousse in 1957. The film, with Audrey Hepburn and Fred Astaire, subtly paid tribute to the universe of Lillian, the character of Astaire being inspired by his close friend.
In the images of Lillian, his model is, literally and figuratively, traveling – a trip that we, spectators, are invited to follow with it. Thanks to the technical mastery and the narrative depth of Lillian, his fashion photographs transcend the frame, developing as a new one.
Peter Fetterman
Other works:
https://www.peterfetterman.com/artists/449-lillian-bassman/works/
Peter Fetterman Gallery
2525 Michigan Ave, #A1
Santa Monica, Ca 90404
(310) 453-6463
www.peterfetterman.com
