In 2019, All the blue of the sky is the novel everyone is talking about! An unexpected turnaround for Mélissa by coastwhich still exercised at the time the profession of communications manager, after two autopublished works, without success. Result, a few years later, the book has no less than 1.5 million copies sold, and thanks to its seven other novels, the mother of two even became the best -selling author in France in 2023, succeeding To damn the pawn in Guillaume Musso, a true king in his kingdom for many years. Not to mention the many translations abroad … Suffice to say that the wait will surely be strong on Monday, January 27, 2025, with the broadcast of the adaptation in TV movies in two parts of All the blue of the sky – Also available today on Netflix! Directed by Maurice Barthélémy, ex-woodbox, according to a scenario by Claire Lemaréchal, fiction is carried by the former emblematic couple of I promise you, Camille Lou – The Star of Cat’s Eyesnow available on video premium – and Hugo Becker.
All the blue of the sky : What is the TV movie inspired by Mélissa Da Costa’s novel with Camille Lou and Hugo Becker broadcast this Monday, January 27, 2025?
Affected by an early Alzheimer, Émile (Hugo Becker) decides to embark on a final trip aboard a mini-van. Posting an ad to find a traveling companion, he then met Joanne (Camille Lou, moved by his tribute to Grégory Lemarchal), a mysterious unknown who seems to wear a heavy secret. The duo then embarked on an intense journey with multiple meetings, which will shatter the certainties of the two companions, as they will know …
All the blue of the sky : Should we look at the unpublished TV movie with Camille Lou and Hugo Becker broadcast this Monday, January 27, 2025? Our opinion
Insidering a bestseller sold in more than 1.5 million copies, which is more tracing a road trip, an eminently cinematographic is necessarily a good idea. Where the bottom can hurt is the degree of adaptation between the two versions. Unfortunately, in the case of this TV movie, if we were able to appreciate the atmosphere of the novel, the transcription on the screen, perhaps too close to the book, then suffers from an exacerbated slowness. And even, despite an effective cliffangher at the end of the first episode, very quickly fiction falls back into its faults by an absence of rhythm and an excess of sobriety. Suddenly, if the story remains touching, the monocorded writing ends up getting lost in the evolution of the story, fortunately carried by the performances of Camille Lou (Joanne) and Hugo Becker (Emile), on which there is No complaints. Same thing on the realization side, where the camera of Maurice Barthélémy manages to breathe a nice intimacy between the two, but also to enhance the landscapes crossed. In short, All the blue of the sky There remains a nice moment of unequal sweetness, but far from the recurring tone of the usual police comedy. And just for that, we appreciate the effort …
