Odile Vuillemin confides in her role as an infanticidal and abusive mother in Signalements, broadcast this evening on 2

Odile Vuillemin confides in her role as an infanticidal and abusive mother in Signalements, broadcast this evening on 2
Odile Vuillemin confides in her role as an infanticidal and abusive mother in Signalements, broadcast this evening on France 2

Odile Vuillemin camps in Reportsa new film to be discovered this Wednesday, November 20 on 2, an abusive and infanticide mother. An important fiction, which she puts in parallel with The influence

France 2 is offering a particularly strong and striking TV film this Wednesday, November 20, 2024. In fact, the public channel is broadcasting Reports (our opinion), unitary inspired by a terrible true story, that of Karine, a young girl mistreated and left at the mercy of a pedophile by her parents, and that of her aunt Laurence Jambu, who will try everything to save her. .. If the latter is played by Cécile – winner of the Best Actress Prize at the 26th Festival – the infanticidal and abusive mother of little Karine is played by Odile Vuillemin. Questioned by Télé-Loisirs, the ex-star of Profiling confided in this role, and draws a parallel with The influenceone of its most notable units.

Reports: “This TV movie is as strong as The influence In my opinion…” confides Odile Vuillemin

Remember, in 2015, in this fiction also based on real events, and watched by 8.5 million viewers, Odile Vuillemin lent her features to Alexandra Lange, acquitted of the murder of her husband who had beaten her for fourteen years. An important TV film, like the one France 2 is offering this evening, underlines Odile Vuillemin: “I think this film is as strong as The influence. This really reminds me of that” she told us about Reports. “These are films that do not judge, that make you face your personal, individual, then collective responsibility.”

Reports: “We watered down a lot” explains Odile Vuillemin about the true story

Necessary TV films, with particularly heavy themes, and which require the director – here Eric Metayer, who notably co-directed the landmark film Tickles – to do a real balancing act, as Odile Vuillemin points out. “You can't show too much. Which was the case for The Hold too… We watered it down a lot, because if you show too much, the TV film is indigestible and the brain cannot assimilate as much. And you have a blackout” And to confide his own experience to image his reflection: “I, for example, I did it when there was the Bataclan [lors des attentats du 13 novembre, ndlr]. The brain goes into overdrive because, in fact, it's too much. And you implode…”

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