Le show Starmania: the anniversary event, the 45th anniversary can be followed at 9:10 p.m. on France 2. 45 years ago, the rock opera “Starmania” was born, thanks to the collaboration of Michel Berger and Luc Plamondon. To mark this 45th anniversary, this evening event brings to life the most beautiful moments of this show. The greatest French and Quebec artists and, for the first time, Thomas Jolly's new troupe come together for an exceptional moment.
At 21:00 AM TF1 we watch the rugby match France/New Zealand. The XV of France continues its autumn tour and, after facing Japan, takes on the formidable New Zealanders. Like Fabien Galthié's Blues, the All Blacks challenged the Japanese for their debut in the “Autumn Nations Series”. But Scott Robertson's men had two matches in the Northern Hemisphere against England, at Twickenham, then against Ireland, in Dublin, before stopping off in Paris. It is therefore a rehearsed and well-established group which arrives at the Stade de France, undoubtedly still with in mind the defeat suffered on this same pitch in the final of the 2023 World Cup, against the South Africans (11-12) . Antoine Dupont's band risks suffering but, supported by its audience, could well transcend against the All Blacks.
M6 put on at 9:10 p.m. on, the series Code Quantum. Ben finds himself in 1994, in the shoes of Doctor Alexandra Tomkinson, an intern at the Seattle hospital. Addison tells him that he must save the lives of three people seriously injured in a train accident. While operating on the first patient, Ben becomes aware of the danger of the anesthetic product…
We complete this selection with, the magazine Beautiful Escapes at 9:00 p.m. on France 5. How have the island of Saint-Martin and the Guadeloupe archipelago managed to preserve their lush nature? How did it become an asset for these two territories? To discover the coral reefs, mangroves, lagoons and lush forests of these islands, Sabine Quindou begins her Caribbean journey aboard a 12-meter sailboat maneuvered by Guadeloupean skipper Rodolphe Sepho.
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