Devin Townsend criticizes the “macho” themes of sadism and horror in art.
Devin Townsend breaks away from his aggressive roots
In a recent interview with Metal PilgrimDevin Townsend, a major figure in Progressive Metal, has expressed his disinterest in the themes of horror and gore, omnipresent in certain artistic media, notably music and cinema. Although he made his mark within Strapping Young Lad, a group known for its aggressive and violent style, Townsend now distances himself from these representations, which he considers unnecessary and devoid of deep meaning.
“I hate horror movies. It’s not because I don’t appreciate their art or their story, nor because the gore offends me. It’s because I don’t understand the intention behind it,” he confided.
For Townsend, these images, often tinged with machismo, do not carry a real message: “I ask myself, ‘Why make this statement? What’s the message?’ The answer that often comes up is: ‘Oh, it’s for catharsis.’”
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An assumed sensitivity in the face of the macabre
The musician also spoke about people who ridicule those who do not adhere to these macabre representations: “When I say I don’t like it, I’m often told: ‘You’re a wimp, you can’t stand [le gore] ?’ And I say, ‘No, I don’t want to do that to myself.’”
He insists that his sensitivity does not call into question his resilience in the face of life’s trials: “I am here for the people who need me. In case of emergency, I am a reliable person. I can handle suffering and difficult situations. But that doesn’t mean I’m going to willingly expose myself to these things to prove who knows what to others. This is absurd.”
A unique artistic approach
After evolving in a scene where musical aggression was often highlighted, Devin Townsend today explores more introspective and nuanced artistic expressions. His rejection of “macho” clichés and the glorification of sadism illustrates an in-depth reflection on art and its impact.
“I’m not saying it’s right or wrong, it’s just different for everyone. But for me, these images add nothing,” he concludes, emphasizing the importance of a clear and constructive artistic intention.
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