We are in 1839. In the foreword to the short story that he will publish the following year, entitled “Pierre Grassou”, a short story which offers a reflection on the relationship of the bourgeoisie with Art, more particularly painting, Honoré de Balzac writes: “Since 1830, the Salon no longer exists. A second time, the Louvre was stormed by the people of artists who remained there. In the past offering the elite of works of art, the Salon won the highest honors for the creations exhibited there. Among the two hundred paintings chosen, the public still chose: a crown was awarded to the masterpiece by unknown hands. There were passionate discussions about a painting. The insults lavished on Delacroix and Ingres served their reputation no less than the praise and fanaticism of their adherents. Today, neither the crowd nor the Critics will be any more passionate about the products of this bazaar. Forced to make the choice formerly the responsibility of the Examining Board, their attention grows weary of this work; and, when it is finished, the Exhibition closes (…) Everything was lost when it continued in the gallery. The Salon should have remained a specific, restricted place, of inflexible proportions, where each genre would have exhibited its masterpieces. An experience of ten years has proven the goodness of the ancient institution. Instead of a tournament, you have a riot; instead of a glorious Exhibition, you have a tumultuous bazaar; instead of choice, you have all. What happens? The great artist gets lost there.” Bitter observation from the author of “The Human Comedy” who deplores what has become of these Painting and Sculpture Salons, which have made and unmade reputations, have created so much bitterness and resentment, but have been artistic breeding grounds first rate. How were these Salons born, how have they survived the centuries? Guest: Dimitri Joannidès, expert in contemporary modern art at FauveParis, auction house Subjects covered: salons, art, painting, Pierre Grassou, Balzac, Louvre, artists, paintings, exhibition, masterpieces
Belgium
