for Télérama, committed artists were better before

for Télérama, committed artists were better before
for Télérama, committed artists were better before

In its latest issue, the weekly “Télérama” makes this terrible observation: the commitment is no longer even profitable. What will become of artists if they are no longer praised when they say that meanness is bad? Will the Caesar ceremony have to be canceled? We're trembling in anticipation.

In its issue published on October 26, the magazine Telerama dedicates a file to the commitment of artists and draws a frightening parallel between the year 1963, when Jean-Paul Belmondo was celebrated at the annual gala of the Union of Artists, and May 27, 2023 when Justine Triet did not unanimously when it received its Palme d’Or. It was difficult to see the link between the two but fortunately the rest will be clear.

What deplores Teleramais that the speech of the director ofAnatomy of a fall on pensions or the commodification of culture has triggered “ulcerated reactions” of the Minister of Culture, but also of elected Macronists and LR. Damn, that’s terrible. Can we really get over it? Not sure, especially since Telerama remembers that she was “accused of being ungrateful” (sic) and carefully compares his statement to “a death jump”. Compared to this, the exile of Victor Hugo, the embattlement of Voltaire or Sade, it's a joke.

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