Works like Tintin, Hitchcock's films, or Ravel's music… fall into the American public domain

Works like Tintin, Hitchcock's films, or Ravel's music… fall into the American public domain
Works like Tintin, Hitchcock's films, or Ravel's music… fall into the American public domain

The universal stars of comics Tintin and Popeye, masterpieces of literature, cinema and music by Faulkner, Hemingway, Hitchcock, Ravel – all dated 1929 – fall into the American public domain on Wednesday January 1, 2025 . Every January 1, thousands of 95-year-old books, films, songs, music, works of art, and comic book characters lose their copyrights in the United States. Which means they can be freely copied, shared, reproduced or adapted without a penny being paid.

It is the Center for the Study of the Public Domain at the Duke University Law School, in North Carolina (southeast), which makes public the list of cultural works passed down to posterity each year at the end of December. This January 1, the stars are the sailor Popeye, created in 1929 by the American Elzie Crisler Segar, and the reporter Tintin, presented by the Belgian Hergé the same year. “In recent years, we have celebrated the entry into the public domain of fascinating characters like Mickey Mouse (2024) and Winnie the Pooh (2022),” recalls the director of the Center, Jennifer Jenkins, on her site. “In 2025, copyrights expire for more incarnations of Mickey dating from 1929 and the first versions of Popeye and Tintin,” says the lawyer.

The year 2029 was also that of major works of American and European literature, adapted several times for cinema. “The Sound and the Fury” by William Faulkner, “A Farewell to Arms” by Ernest Hemingway, “A Room of One's Own” by the British Virginia Woolf, or the first English translation of “In the West, Nothing new” by the German Erich Maria Remarque.

These legendary novels also enter the American public domain on Wednesday. On the cinema side, Duke University selected “Blackmail” by Alfred Hitchcock, the first British talking film, and “The Black Guard”, by the American John Ford, both released in 1929.

In song and music, the first version of “Singin' in the Rain” by the Americans Ignacio Herbert Brown and Arthur Freed, adapted many times, also lost its copyright. Just like the extremely famous “Boléro” by Frenchman Maurice Ravel, composed in 1928 but whose copyright dates from the following year.

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