“When Sara, a young girl on the run, discovers that the Three Musketeers who protect the Queen of France are in reality women, she decides to leave with them and follow their example: transform herself to be free, transform herself to be herself… »
Here is the synopsis of the film All for one which is scheduled to be released in theaters on January 22. In just 43 words, this summary gives a glimpse of the cinematic torture that this feature film will be. All the ingredients of an unwatchable film are there, starting with the rereading (and not the adaptation) of a literary work. Obviously feminine (perhaps feminist?) and woke proofreading.
Wokism, a movement without ideas…
Here, the musketeers are replaced by women who do everything to look like men. They bandage their chests and stick fake beards on their faces. The goal? No doubt denouncing male supremacy while highlighting gender transitions. From the great classic to wokistan. Has this world which wants to break the codes and deconstruct society become unimaginative and conformist? In any case, it is not surprising.
This time the fun is served by Houda Benyamina who has already directed the films Divinesabout life in the suburbs between traffic and religion and Salamabout Diam's conversion to Islam. It could be by Audrey Fleurot who is preparing a series which will follow the same hackneyed recipe, The Comtesse de Monte Cristo, or by any other director without an original idea but feeling an immense need to raise awareness.
All for one is yet another French film with a message, yet another feature film giving lessons, yet another production financed by public money. Because, if right-thinking can be displayed on the big screen, it is largely thanks to the CNC (National Center for Cinema and Animated Images) and France Télévisions, state entities. In 2023, the CNC distributed 715.8 million euros, including 311 million euros for cinema and 277 million euros for audiovisual. For their part, France 2 cinema and France 3 cinema pay the world of the big screen nearly 60 million each year.
…but not without money
In addition to these two main sponsors, there is also aid paid by the regions, a special tax credit for cinema which “ allows a production company, under certain conditions, to deduct from its taxation certain production expenses (so-called eligible expenses), within the limit of a ceiling of 30 million euros per film », funds of all kinds like the one said Images of diversity Who ” has the mission of supporting works dealing with the diversity of the population and equal opportunities, contributing to giving a more faithful representation of French reality and its components and to writing a history common to the entire population French around the values of the Republic » and many more.
Millions of euros going into reels monopolizing the last places in the box office rankings while France is in a critical economic situation and is looking by all means to find money. Poor France, poor Dumas, poor cinema.
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