Refresh for latest…: Storming 63 international box office markets in its opening frame, and before domestic enters the arena this coming week, Paramount and Ridley Scott’s Gladiator II has debuted to an estimated $87M. This is within our pre-release projection, and also marks the biggest overseas start for a Ridley Scott-directed film, as well as Paramount’s best offshore bow for a U.S. R-rated movie.
Heading back to the Colosseum 24 years after Best Picture Oscar winner Gladiator reinvented the swords and sandals genre, this sequel was No. 1 in major markets. It performed best in the UK with a No. 1 launch of $11.4M at 722 locations.
Next up was France at $10.3M from 729 sites. Spain grossed $5.6M from 411, Australia delivered $4.9M at 353, and Mexico chimed in with $4.7M from 922.
Elsewhere among No. 1s, Germany’s start was $4.3M from 650 locations, Italy grossed $3.8M at 530, Korea did $3.2M from 545 and Brazil was good for $3M from 759 sites.
All of this is ahead of the domestic (and China) release on November 22.
We’ll get into more detail on the Paul Mescal, Pedro Pascal, Denzel Washington and Connie Nielsen-starrer in just a bit (see below for how marketing and partnerships that helped amp the film).
In the meantime, Sony’s Venom: The Last Danceafter topping $400M global earlier this week, has now surpassed the international lifetime of Venom: Let There Be Carnage. The offshore cume is $308.5M coming off of a $17.3M weekend in 66 overseas markets (-49% from last session). Worldwide, the cume is now $436.1M.
Here are the Top 5 international markets to date: China ($90.3M), Mexico ($18.8M), UK ($15.3M), Germany ($13.1M) and Korea ($12.1M).
Last weekend’s new entry, Red Oneadded an estimated $14.7M from the sophomore overseas session. Recall this is a Warner Bros release overseas whereas Amazon MGM just put it out domestically this frame. The drop internationally was 43% and the running offshore cume is $50Mfor $84M global.
Internationally, there were some really strong holds on this Dwayne Johnson/Chris Evans-starrer, including Brazil (-8%), Germany (-9%), New Zealand (-14%), Switzerland (-18%), Austria (-22%), Peru (-23%), Holland (-26%), UK (-28%), Spain (-31%), Singapore (-31%), Italy (-32%), Australia (-35%), Colombia (-38%) and Malaysia (-39%).
Universal/DreamWorks Animation’s charmer The Wild Robotwhich, as we reported on Saturday, has passed $300M worldwide, added $6M this frame (-35% versus last weekend). The international cume through Sunday is $170.7M for $308.5M global.
Uplift and strong holds were seen in several markets. Spain had the best performance in Week 6, now tallying $10M as The Wild Robot passed the lifetimes of How To Train Your Dragon 2 and HTTYD3. There was another red alert for weather in the Valencia region during the week, but the strong play-out is aided by an excellent FilmAffinity score (7.9), the highest ever for a DWA film.
Tops is still Mexiconow with $20M, followed by the UK at $17M and France at $12.4M.
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