On the Nuithonie stage, rage and party

For an entry into theater, it’s a manifesto! The first professional creation by Salomé Coquoz and Rita Moreira displays anger, if not rage, as its standard. But Grimhildewhich actually talks a lot about Snow White, has a sense of nuance: it’s also a snub, explosive humor, a crazy crossing of pop culture. We cannot summarize the incises, the breaks in tone and the poetic bubbles without reducing the scope of a bubbling piece which embraces – almost a little too – wide.