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Closing of the 35th edition of the JCC: The Golden Tanit for the Tunisian film “The Red Children”

Director Lotfi Achour dedicates this film to the entire Soltani family, victims of cowardly terrorism in Djebel Mghilla, in Sidi Bouzid, in 2015 and 2017. He also denounced the silence of all countries which he described as “a shame of 'humanity' in the face of Zionist attacks in Gaza.

The closing ceremony of the 35th edition of the Carthage Cinematographic Days which took place this evening, Saturday December 21, at the Cité de la Culture in Tunis, was the apotheosis of several days of celebrations, tributes, screenings and discoveries. In an atmosphere that was both emotional and festive, the prizes were awarded in the presence of the members of the juries.

A look back at this last evening marked by the emotion and magic of the moments shared and worthy of the scale of this event which, once again this year, was able to captivate the hearts and imagination of thousands of spectators.

An eclectic program for a beautiful finale

In all, 217 films, including 99 Tunisian films, have been screened in 20 theaters since December 14. A final demonstration of the diversity and richness of the festival's programming. Many innovative and daring films have garnered widespread applause and critical acclaim. Beyond the screenings, this cultural event succeeded in creating a real space for meeting and exchange. The conferences, workshops and masterclasses organized throughout the week allowed artists, professionals and amateurs to come together around common passions and share their experiences.

This year is also marked by a Senegal focus and a Jordan focus. Palestine was at the heart of this cultural event with screenings in theaters and in the streets.

An evening of tributes and awards

Live broadcasting was provided on the two television channels and various national radio stations.

After a musical entry by “Ye Khlila” in symphonic version, Mondher Kalai introduced a video in tribute to the great actor Fethi Haddaoui who left us on December 12, two days before the opening of the JCC.

The mistress of the ceremony, Souhir Ben Amara, made her entrance afterwards, majestically dressed in a white dress adorned with gold.

The much-awaited prizes were presented to the winners in different categories. The emotion was palpable among the recipients who expressed their gratitude to the public and the organizers for their unwavering support.

Here is the prize list:

Golden Tanit, short documentary film

The last days of the Yen, by Mehdi Hajri, Tunisia

Tanit d'argent, short documentary film

Frihma, Yemen

Bronze Tanit, short documentary film

The journey of Bahati, from Kenya

Golden Tanit, feature documentary

Palestine

Silver Tanit, feature documentary

Tango SAA, DRC

Bronze Tanit, feature documentary

Mathila, from Abdallah Yahia, Tunisia

Special Mention and/or Special Jury Prize

Seeking haven for M. Rambo, Egypte

Prize for best editing

Camille Toubkis for the film Aïcha

Best Picture Award

The village next to paradise, de Mustapha Kechef

Best Award

Hédi Adel for the film Orza

Prize for best male performance

The vanishing, Sammy Lechea

Prize for best female performance

Soulef Kwakherji, Salma

Best Screenplay Award

Bode Aniyanbi pour le film The man died

Tanit de bronze, short fiction film

Edge to Edge, Sahar el Echi, Tunisia

Tanit d'argent, short fiction film

Better than earth, Egypte

Golden Tanit, short fiction film

Nothing happens after that, Soudan

While the lights went out on this edition, it is clear that the Carthage Cinematographic Days have once again demonstrated dynamism and capacity to innovate. By emphasizing diversity, inclusion and artistic quality, the festival not only brought joy to the festival-goers present, but also helped to highlight new talents and new ideas.

In the meantime, the memories of this closing, vibrant and unforgettable, will continue to nourish the imagination of the participants, who meet for the next adventure.

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