Published on November 28, 2024 at 2:29 p.m. / Modified on November 28, 2024 at 2:40 p.m.
10 mins. reading
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On the occasion of the release of her latest work, “La Voix des femmes”, Laure Adler looks back on her radio, television and literary career.
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She explains in particular why she wanted to “put the feminist fight into perspective to understand what is happening with the emergence of #MeToo».
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She also returns to more personal events such as the death of a child, but also the happiness of being a mother and grandmother.
She is a voice and a signature. She is, also, this small and thin figure, leather jacket and large pair of tinted glasses, that we spot from afar as she reaches Le Pont Traversé, in the 6th arrondissement of Paris. It is in this new wave café a stone’s throw from the Luxembourg Gardens that we meet for the publication of his latest work, The Voice of Women (Ed. Grasset). Because, we suppose, Laure Adler lives in this intellectual-chic neighborhood in the heart of the capital. Not at all, she retorts: she is taking a theology course next door, at the Catholic Institute of Paris.
At 74, she is in demand from all sides. By the daily Liberation who asks him for a text on the Mazan affair. In this month of October, the trial of the rapists of Gisèle Pelicot, drugged by her husband and offered as food to strangers, is being followed by a France in shock. “It’s the blackest, darkest reflection of systematic violence,” she sighs. In recent days, to promote her book, she was invited to the set of the show The Great Bookstoreafter being received on France Inter by Léa Salamé.
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