Published on November 27, 2024 at 1:29 p.m. / Modified on November 27, 2024 at 3:32 p.m.
3 mins. reading
Over time, his name became better known than his films. His Nazi propaganda documentaries, The Triumph of the Will (1935) et The stadium gods (1938), having become almost invisible due to a very understandable (self)censorship, and on the fiction side, its splendid beginning, Blue Light (1932), being barely shown anymore and his last opus, Lowland (1944/1954), absolutely never, all that remains of Leni Riefenstahl is her reputation as an official filmmaker of the Third Reich. Myth or reality?
After no less than twenty television returns on her interrupted career, her extraordinary personality (she died in 2003, at the age of 101) and the nagging question of her responsibility, a film documentary by Andres Veiel finally takes stock .
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