Journey to the land of the inseparable by Marguerite Bordat

The classical world inherited from the Greeks has accustomed us to living in an ordered world, a world where everything is separated, hierarchical, in its place. The theater with its heavy curtain is itself based on this principle of separation between the stage and the room, between the visible and the invisible, between the roles and functions of each person…

Separation imposed on us a simplified model of the world. However, reality is chaotic, turbulent, ordered certainly, but in a complex way. And the separation, which until then shaped our conception of reality, today gives way everywhere in the face of the evidence of inseparation. Science teaches it to us, the globalization of the economy brings it to life, the internet and communication links materialize it, ecology and the necessary solidarity that it induces impose it on us.

Our historical period is characterized by a logic of interdependence and generalized interrelation.

What if we shared a new sensory experience: that of a space without hierarchy, an inseparate space where everything, you, us, things, time, the outside, the inside, words, thought, the velvet of armchairs, the smile of an usher, the dust in the air, the slamming of a door, the suppleness of the floor, the death of the tragedian, would be on the same plane, linked and responding to each other

What if, like explorers freed from the codes and constraints of an old model, we set out to discover another form of reality, that of inseparation? Then, overcome by astonishment, we would perhaps discover a theater like we have never seen before. Way to share together a new image of the world.

And what do we need most today, if not a new image of the world?

Journey to the land of the inseparable
A theatrical proposal of
Marguerite Bordat

invented in collaboration with
Céline Aguillon – distribution manager
Natasha Hopkins Shaw – production manager
Hans Kunze – creator and sound manager
Sébastien Lemarchand – creator and lighting manager,
Thomas Mardell – actor,
Satchie Noro – choreographer
Richard Penny – builder and machinist

Dominique Quessada – philosopher
Pascal Rénéric – actor
Morgan Romagny – general manager
Valérie Schwarcz – collector
Caroline Tigeot – production administrator
Muriel Valat – actress and manager
Catherine Vinatier – actress
Jeanne Volfer – costume designer assistant
Séverine Yvernault – costume designer

Production: La Belle Meunière company
Co-productions: La Comédie de Saint-Étienne – CDN, TJP – National Drama Center of , CDN de – Théâtre Olympia
Support: Théâtre des 13 vents – CDN , “Villa Saint-Louis Ndar” residency program of the French Institute of Senegal, Le Cube – Studio Théâtre in Hérisson

The La Belle Meunière company is approved by the Ministry of Culture DRAC Auvergne-Rhône-Alpes, the Auvergne Rhône-Alpes Regional Council and supported by the Allier Departmental Council.

The Hedgehog Cube 6
From November 16 to 20, 2024

TJP – CDN Strasbourg Grand Est – Strasbourg
from December 4 to 6, 2024

National scene Chambéry Savoie – Chambéry
January 15 and 1, 2025

– national scene – Meylan
January 22 and 23, 2025

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