Guest of the France 5 talk show Friday evening, the actor drifted in a few seconds from his Sunday show on France Inter to tantric yoga.
Regularly invited to “C to you” , Fabrice Luchini delights viewers as much with his ability to recreate the texts of the authors he admires as with the anecdotes he tells with enthusiasm. Friday evening, live on France 5, the 73-year-old actor came to talk about his readings of the writings of Victor Hugo at the Théâtre de l'Atelier, in Paris, and about his show “Les admirations littéraires” broadcast every Sunday on France Inter .
A collaboration with the flagship station of the public group that Fabrice Luchini did not imagine possible. “I wanted to stop after a month”he revealed. Convinced by Adèle Van Reeth, director of France Inter, to continue for two more months, he moved forward “the power of women” emphasizing “intelligence, beauty, light and the eternal superiority of women over men”.
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An explanation which left chef Charles Teboul and journalist Olivia Leray speechless. “I thought my place was in something more austere like France Culture,” he replied about his “preconceived idea” from France Inter. In his thoughts and seeming to search for words for a few seconds, Fabrice Luchini then began to detail the different forms of yoga.
“There is hatha yoga, basic, with postures. There is mantra yoga with the repetition of the seed syllable, “om” for the Hindus and there is tantra yoga, sexuality retaining the seed and never letting go.explained the actor while looking at Olivia Leray. “I understood everything”she replied ironically. “It’s a crazy thing, continued Fabrice Luchini. You spend 25 years preparing the woman and the man, there is sexuality and, instead of letting go of the semolina, you keep it and you raise it in the second chakras. »
And to conclude with “the most beautiful of all”raja yoga which he compared to the stage. “Nothing is greater than the scene and the miracle of incarnation of 600 people”he said about the concrete aspect of the public who takes the trouble to come see and listen to him in the theater compared to the intangible audience of television or radio.
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