“I get paid to make movies” Kevin Costner lost to Clint Eastwood on the set of this thriller: he ended up using an extra

News culture “I get paid to make movies” Kevin Costner lost to Clint Eastwood on the set of this thriller: he ended up using an extra

It hurts

It can sometimes be complicated to put two strong egos on the same board. This is what the teams of A Perfect World learned, a film directed by Clint Eastwood released in 1993. At the height of his career, Kevin Costner was confronted with a Clint Eastwood, director of the film, who was as impassive as he was pragmatic. Espinof returns to a scene in particular that marked the people present on the set: while Eastwood wanted to film a scene, Costner said that he was not ready and that they would have to wait. The former Inspector Harry actor, known for doing few takes and meeting tight deadlines, didn’t want to listen. In the lines,EsquireJack Green, Eastwood’s director of photography, returned to the spat between the two men. Not wanting to wait, the director of A Perfect World said: “find his extra and put a shirt on him”. The scene was therefore shot with an extra. When Costner learned of it, the tone rose between the two cinema giants: “it doesn’t matter, we’ll move on,” Eastwood declared then, before adding: “they pay me to make films”.

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A success that left its mark

Clint Eastwood doesn’t like to wait, he already has let it be known that he liked to shoot quickly, and that he got used to it because of the tight budgets he was given. “Kevin was very lucky, he had a lot of time for his first film. I never had that luxury. And then I got used to it” recognized Eastwood in the lines of the Los Angeles Times. For his part, Costner admitted that he had to take a little more time, but that everyone was able to adapt, including him. A Perfect World, which had an estimated budget of $30 million, grossed over $135 million. As for the critics, they appreciated the emotional depth of the characters and more specifically the performance of Kevin Costner. The Chicago Sun-Times even writes that this production is “the film that any living director would be proud to sign”. Despite the success, Costner and Eastwood would never work together again.