CRITIQUE- Ludovic and Zoran Boukherma adapt the 2018 Goncourt Prize with infectious fever. This chronicle of a youth breaking its wings rings true and strong.
There is nothing to do. This is the problem with adolescence. We're too serious when we're 14. Boredom increases with the heat and when you don't go on vacation. It's not a life to stay in Lorraine, with this weather. Anthony didn't expect this, but he takes the opportunity to fall in love. It occupies. There are rides on two wheels, swimming in the half-polluted lake. On the pontoon, the young ladies wear two-pieces. It was worth stealing a canoe. A joint is circulating. The spotty dad spots Stéphanie, with her false air of Anne Parillaud, Moselle version. Their destinies will rub together like two flints. They are not from the same background.
The film, adapted from the 2018 Goncourt Prize, spans four summers in the 1990s. The era is here. The joints are circulating. The beer cans are empty. Sonic consoles were all the rage. The hits of the moment rock the evenings. Cabrel, Nirvana, Goldman, remember? He…
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