PORTRAIT – Endowed with unalterable flexibility, the actor was able to learn Japanese while following Guillaume Senez's method of improvisation to portray a father “on a wire” who must keep a low profile in the face of local authorities.
This article comes from Figaro Magazine
«The man descends from the monkey, Tomasi is a man, Tomasi does not descend from the basketball hoop. » If this replica of Young danger de Klapisch remained engraved in the memories, the agility of the person who served her marked the Duris style with a hot iron. It was thirty years ago, but at the age of 50, the actor has lost none of his flexibility.
When he arrives with a determined step at his HQ on rue de Charonne, with his ultra-trendy work overalls, his graying but still messy hair and his sparkling eyes, he displays the same ease with which he portrayed a student Erasmus, a gadjo, an Arnacœur, a concert pianist, Molière, Lupin, Eiffel or Aramis. Because Romain Duris is a physical actor who advances in life and in his career with the mastery of a high-flying acrobat.
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