By Etienne Sorin
Published
7 hours ago,
Update 2 hours ago
Pelléas Films
INTERVIEW – In Christophe Honoré’s film, in competition, the actress thinks she is her father. Sparkling meeting.
A year ago, Chiara Mastroianni was the mistress of ceremonies at the Cannes Film Festival. Camille Cottin called her to ask her for advice. She recommended that he put oil on his teeth to prevent grinding and combat stage fright. However, the actress has accompanied numerous films to Cannes. She even won the Un Certain Regard Interpretation Prize for Room 212, by Christophe Honoré. This year she reunites with the filmmaker with Marcello Mio in the running for the Palme d’Or and in theaters this Wednesday. A beautiful ghost film, as well as an elegant comedy, in which Chiara Mastroianni, an actress in crisis, thinks she is her father.
LE FIGARO. – The project of Marcello Mio was confusing at first…
Chiara MASTROIANNI. – Producers complain about not finding original subjects, but when they arrive, we sense reluctance. The financial arrangement was not easy. I have such confidence in Christophe Honoré that I had no doubts. He had me…
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