While the cinema had us divided with the version of Superman that we wanted to see, with some assuring that Zack Snyder’s deconstruction was the best thing that had happened to the character while others missed Donner’s more human and luminous touch, exactly that was being brewed on television.
Created by Greg Berlanti y Todd Helbing and available at Max, ‘Superman & Lois’ delivers exactly what it promises. It is a series about the legendary superhero, but also a drama that focuses on his family life and shows his most human side.
Completed in its fourth seasonit’s good fun until Gunn’s movie is released, which also marked the end of the Arrowverse. It is said early, but it has been twelve years of superheroes from the CW network that, with their pluses and minuses, have closed here with some of their best productions.
The differential that this story provides is not only his relationship with Lois. There is a big focus, especially in the beginning, on Clark’s role as a fatherand in the dichotomy between being a great hero outside the home but a little valued man inside it. In some ways, this is the most mature version of the hero to date.
Despite the initial mistrust due to the irregularities of other CW series, the reviews were positive since its beginnings. In Collider they praised its first season “an inherent sincerity that brings many promises”. For Espinof, Albertini wrote of his pilot that “The whole invites us to continue watching to see if they can find the right balance”.
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