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The women on the decks for the first Plurielles evening of the season at Lendemains qui chantant, in Tulle

100% feminine and 100% bass music and drum & bass Plurielles evening, Saturday November 9 in the Salle des Lendemains qui chantant, in Tulle. With notably Elisa Do Brasil.

It has already been a year since Des Lendemains qui chantant launched the Plurielles evenings. They are relaunched this season in a 100% electro spirit
The first is scheduled for Saturday November 9, with a bass-music and drum & bass coloring, following a new format: DJ sets in the SMAC bar, two artists on the main stage.

In this case, the Brazilian Elisa Do Brasil. At just 20 years old, she was one of the leading figures of the drum'n'bass and free party movements, until becoming, in 1999, a resident of the legendary Rex Club with its MASSIVE evenings (which hosted Laurent Garnier or MC Verse).

Regular at the Rex Club

She tours all the major festivals, releases two mixed CDs from her MASSIVE evenings, then albums; she is also noted for her “All night long”, during which she displays her musical influences. To dance and forget everything, nothing better!

Cate Hortl explores more dark pop and ecstatic techno universes. She has two EPs to her credit, SMOG and HEX. It undulates, it hovers, it swings… with a touch of squeaky irony.

A solo and a duet will heat up the decks at the start and end of the evening. Beatrice M. draws heavily on syncopated British genres, such as dubstep and halftime, which it feeds with more oldschool elements. For getting high, it's perfect. Sugar Mummy & RetrORetrO finally make the mixture of genres their trademark. Between afro house and industrial techno or from deep house to eurodance for one, between Eurythmics and Daft Punk for the other, you will be spoiled for choice.

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Bass-music/drum & bass plural evening, Saturday November 9 from 9:30 p.m. to 4 a.m.: Elisa Do Brasil, Cate Hortl, Béatrice M. and Sugar Mummy & RetrOretrO. Entrance, €10. Ticket office at 05.55.26.09.50 or on deslendemainsquichantent.org.

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