She holds a small magnetic cassette recorder in her hand and asks her interlocutors a series of questions that could be put to her: “How did you feel playing? Deep inside you? She is Isabelle Huppert in the Traveler, the latest film by Korean Hong Sang-soo, and the third they made together, as in herself and necessarily different: enigmatic, light, cunning, astonished, ready to be surprised, “half-fairy, half-witch” as she will tell us, mischievous with a substrate of sadness… in short, indefinable in a euphoric film as it cannot be captured.
It is a minimalist fiction based on almost nothing, these successions of small shifts in human exchanges, which crack the falsely banal or ordinary character of situations, sculpting them into so many unusual fragments which remain stuck in your head long after having seen them. seen.
The interview for Liberation takes place early Thursday afternoon, a few hours before the disappearance of David Lynch. Isabelle Huppert is preparing to go to Austria to play a vampire, but also to New York and China for different plays. An international star alternating between adventurous projects, always overbooked, her relationship with time and work can be measured by the extreme calm and concentration she displays for an hour during the interview exercise.
-What does it start with, a filming of Hong Sang-soo?
It has
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