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“Under the Skin”, behind the scenes of Rebecca Saunders’ Triptych

News from Rebecca Saunders

Scarfor fifteen soloists and conductor
Skinfor soprano and thirteen instruments
Skull for fourteen instruments and conductor (French creation)

For the first time, the three pieces of the triptych Skin/Scar/Skull by Rebecca Saunders are brought together within the same program. Directed by Pierre Bleuse, the Ensemble intercontemporain accompanies Juliet Fraser, soprano specialist of the composer.
For around ten years, the British composer based in Berlin has musically explored the lexical fields of the body, the voice, the skin. Opened by Skin (2016), followed by Scar (2019), closed by Skull (2023), the triptych presented here in its entirety was born from the deep fascination that Saunders has for “the exploration of the physical and carnal quality of sound”, as well as for “the physical and carnal impact that music can exert on the listener. In fact, the scar ( Scar ) is registered on the surface of the skin ( Skin ), like the memory of the trauma of the injury ( Wound was created in 2022). As for the skull ( Skull ), it is the head without its fleshly envelope, and it is the emptiness of the spirit which has left the body. (presentation by the Philharmonie de )

Musical programming

Rebecca Saunders
Vermillion
Ensemble MusikFabrik
Wergo, 2008

Rebecca Saunders
Skin
Juliet Fraser (soprano)
Vienna Sound Forum
Bas Wiegers (you)
NMC, 2022

Rebecca Saunders
Still
Carolin Widmann (violin)
Bavarian Radio Symphony Orchestra
Ilan Volkov (dir.)
BR Klassik, 2020

Rebecca Saunders
Scar
New College Zürich
Emilio Pomàrico (dir)
2021.

Rebecca Saunders
Yes
Juliet Fraser (soprano)
Ensemble MusikFabrik
Enno Poppe (director).

Rebecca Saunders
Void
Christian Dierstein
Dirk Rothbrust (percussion)
Berlin Radio Symphony Orchestra
Enno Poppe (director).
NMC, 2022

Rebecca Saunders
Skull
Ensemble Modern
Bas Wiegers (you)
2023.

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