A leading figure in “New Realism,” the Swiss artist was known for his still lifes depicting the remains of banquets or modest dinners. The Center Pompidou announced his disappearance on Wednesday November 6.
Last Supper. The Swiss visual artist, Daniel Spoerri, figure of the artistic movement of “New Realism” and father of «Eat-Art»which consists of fixing the traces of a meal in a work, died Wednesday evening, November 6, at the age of 94, announced the Center Pompidou. “We are deeply saddened by the passing of Daniel Spoerri”lamented the museum of modern and contemporary art on X.
“His unique look at art, through his trap paintings and unexpected assemblages, was able to capture the moment, the ordinary and the surprising. His legacy will remain a source of inspiration.continued the institution.
The Swiss artist of Romanian origin born in 1930 on the banks of the Danube in Galati, in eastern Romania, was known for his three-dimensional still lifes linked to tableware. The principle is simple: at the end of a meal, Daniel Spoerri freezes, by sticking them to the support, the trace of this meal (cutlery, plates, leftover food, packaging, etc.). He calls her «Eat Art» these works and actions featuring food and our eating habits.
With this concept, the artist, formerly a dancer, founded the movement of “New Realism” in 1960 alongside artists like Yves Klein, Arman, Raymond Hains and Jean Tinguely.
Daniel Spoerri even went so far as to manage a real restaurant in Düsseldorf (Germany) between 1968 and 1972, where customers who could afford it could leave with their own work. He doubled the initiative by creating the Eat Art Gallery where artists like Cesar, Ben or Arman exhibit edible ephemeral creations while painters like Pierre Soulages participate in some of its banquets.
But Daniel Spoerri will seek to get rid of this label “dirty dish artist”. In his series of “disabuse the eye”he places a real object on a canvas or a tapestry found at flea markets and questions the boundaries between reality and illusion. His works were the subject of a retrospective in numerous museums, including the Center Pompidou in Paris in the 1990s. More recently, in 2021, the Museum of Modern and Contemporary Art (Mamac) in Nice dedicated a major exhibition.
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