What movies to watch this week (or not)? Every Wednesday, find our reviews of the latest theatrical releases.
Michael Keaton dances « Beetlejuice Beetlejuice », by Tim Burton. Photo Parisa Taghizadeh/Warner Bros. /Plan B Entertainment/Tim Burton Productions/Tommy Harper Productions
By The Cinema Service
Published on September 10, 2024 at 5:36 p.m.
Updated September 10, 2024 at 5:40 p.m.
“Dahomey” by Mati Diop: our favorite
Genre: statues live too. By filming the restitution in Benin of works once looted from the vanished kingdom of Dahomey, filmmaker Mati Diop succeeds in a fascinating reflection on Africa, on colonialism and on the history of civilizations. (With Gildas Adannou, Habib Ahandessi, Joséa Guedje. 1h08.)
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Dahomey
“The Trial of the Dog”, by Laetitia Dosch
Genre: hilarious philosophical comedy. Cosmos bit a woman’s cheek, he ends up in court. A hilarious, and not so absurd, farce on the ordinary stupidity of our male friends. (With Laetitia Dosch, François Damiens, Pierre Deladonchamps. 1h25.)
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The Trial of the Dog
“Beetlejuice Beetlejuice” by Tim Burton
Genre: sacred revenants. We take the same (or almost) and we start again. Thirty-six years later BeetlejuiceTim Burton rediscovers the desire to make cinema in his own way, luxuriously tinkered, and signs a macabre comedy led at a cracking pace. (With Michael Keaton, Winona Ryder, Jenna Ortega. 1h44.)
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Beetlejuice Beetlejuice
“The Thread”, by Daniel Auteuil
Genre: classic plot. A lawyer close to retirement decides to defend a father accused of murdering his alcoholic wife. A classic, old-fashioned, well-executed trial film that distils a dull tension until the final, very disconcerting twist. (With Grégory Gadebois, Daniel Auteuil, Sidse Babett Knudsen. 1h55.)
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The Thread
“Silex and the City, the film”, by Jul and Guigue
Genre: makes sparks. The Stone Age family goes from comics to animated cinema, with a deluxe voice cast. Still as funny and piquant, even if the infernal pace of the story can be tiring. (With Guillaume Gallienne, Clément Sibony, Frédéric Pierrot. 1h20.)
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Silex and the City, le film
“Foreign Language”, by Claire Burger
Genre: German inn. A French high school student who feels uncomfortable in her own skin gets closer to her German pen pal. A sensitive and seductive portrait of European youth, despite a somewhat heavy-handed didacticism. (With Josefa Heinsius, Lilith Grasmug, Nina Hoss. 1h45.)
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Foreign language
“Anaïs, 2 chapters”, by Marion Gervais
Genre: Life is a novel. Filmed ten years apart, the two documentaries brought together in this film paint a devilishly endearing portrait of a young Breton farmer. And reveal the generous talent of the filmmaker Marion Gervais, who became her friend. (Documentary. 1h44.)
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Anaïs, 2 chapters
“Kill”, by Nikhil Nagesh Bhat
Genre: cut. A train, dozens of bandits and their knives facing two commandos of the Indian army: an inevitable and bloody clash. Killwe remember the rhythm, the staging of the fights and, above all, its energy of one-upmanship. (With Laksh Lalwani, Raghav Juyal, Tanya Maniktala. 1h45.)
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Kill
“The Bahamas Effect”, by Hélène Crouzillat
Genre: macron resignation. This documentary on unemployment insurance wanders a little, while saying the essential: it is our mutualist system that we are unraveling reform after reform by orienting it less and less towards the interests of the workers, who are increasingly controlled. (Documentary. 1h35.)
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The Bahamas Effect
“The Snow Leopard” by Pema Tseden
Genre: animal fable. In Tibetophone China, a snow leopard is imprisoned after devouring nine rams. While the breeder wants to kill him, a young monk seems to have formed a special bond with the animal… A beautiful film, weighed down by lengths and didacticism. (With Tseten Tashi, Jinpa, Ziqi Xiong. 1h49.)
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The Snow Leopard
Still in theaters:
“In His Image”, “Tatami”, “The Score”…
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