In Lacrima, Maud Le Grévellec reveals herself to be masterful and moving

In haute couture, a territory that was believed to be dedicated to the delights of beauty, Marion, head of the workshop, would be like the faithful Penelope tirelessly weaving a wedding dress. She would also be Calypso, a nymph from an island that contains secret caves. Marion is the modern heroine of Caroline Guiela Nguyen’s latest play, Teara show that some had the privilege of discovering this summer at the Avignon Festival.

This heroine is masterfully interpreted by Maud Le Grévellec. Born in Brittany, in Lorient more precisely, this iodized brunette with a crazy charm who sailed in the bay of Concarneau, had the revelation of theater in high school, under the influence of her French teacher. Racine’s Alexandrines“made him vibrate in such a way that (his) relationship with the text became passionate. A real trigger.”

Also readTheater: Lacrima or the hells of a paradise

Under the sign of Chekhov

Racine, she will find him again. After the Conservatory of Dramatic Art of Lorient, the National Regional Conservatory of Rennes…