But it was in Spain, at Villa Astrida, that Fabiola and Baudouin found a haven of peace. This seaside residence, which saw Baudouin die in 1993, has become a place of memory. Transformed into a museum, it preserves significant objects, such as the armchair where the king breathed his last.
The creations of the residents of the Queen Fabiola Center exhibited for the Soignies Heritage Days: “They are super proud”
Fabiola’s fortune, estimated at tens of millions of euros, has long been at the center of discussions. A widowed queen without children, she had organized her assets in favor of her nephews and nieces, sparking controversy by creating a foundation intended to circumvent inheritance taxes. This arrangement, heavily criticized, was dismantled shortly before his death, and the funds were redistributed to another family foundation.
The most intriguing aspect of her legacy, however, remains her jewelry collection. Among the emblematic pieces is the Wolfers tiara, a masterpiece given for her marriage to Baudouin, which Fabiola left to Mathilde. But another tiara, offered by the Spanish dictator Franco, remains untraceable, fueling speculation. Is it kept safe in a safe or has it been passed on discreetly to heirs?
Even beyond precious objects, the memory of Fabiola continues to permeate the Belgian monarchy. Her closeness to Queen Mathilde, whom she considered an ally and confidante, is still evident today. In 2018, Mathilde appeared wearing a fur coat belonging to Fabiola, a gesture both symbolic and indicative of their special bond.
Between the transformed residences, the mysteries of missing property and the moral legacy she left, Fabiola remains a timeless figure. Ten years after her death, the gray areas surrounding her heritage only add to the complexity and aura of this queen who marked the history of Belgium.
