This article was automatically translated from HIBAPRESS, the Arabic version:
In a rare clip dating from 1974, the two artists appeared Adel Imam etSaid Saleh In a television interview with journalists Tariq Habib and Mona Jabr, to ask them a question about what life was like in the year 2000.
Adel Imam’s response was full of realistic pessimism, as he spoke “Dry Feelings” He highlighted “the decline of the role of talent in art” in favor of technology, in addition to warning of diminishing livelihoods and lack of resources due to the increase in population.
On the contrary, Saeed Saleh expressed: Excessive optimismLife is expected to be like this in the new millennium “Great and wonderful”with a positive impact on art and society.
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The broadcast of this video sparked widespread controversy among activists, who praised Adel Imam’s “insightful vision” compared to Saeed Saleh’s predictions, which they described as a “rosy prophecy”.
Some commented that the Imam’s look was… “More realistic” This reflects an accurate reading of future challenges, while others accuse Saeed Saleh of distancing himself from reality in favor of optimism.
Between realism and optimism
Analysts considered that Adel Imam’s remarks reflected a critical sense of societal and artistic issues, emphasizing that some of his expectations were consistent with current reality, such as the development of technology to the detriment of talent.
On the other hand, Saeed Saleh’s vision was seen as a reflection of the sense of humor and hope that distinguished his artistic personality.
