In Neuchâtel, three puppet shows visit the wounds of History with rare talent

In Neuchâtel, three puppet shows visit the wounds of History with rare talent
In Neuchâtel, three puppet shows visit the wounds of History with rare talent

Published on November 6, 2024 at 5:18 p.m. / Modified on November 6, 2024 at 6:52 p.m.

An exceptional evening. Three shows seen Tuesday evening and which, each in their own particular way, approach with intelligence and power a dark episode from our past. In Somewhere ElseSlovenian Tin Grabnar evokes the Balkan War through a blackboard. In Viva!the Franco-Spanish duo Lisa Peyron-Daniel Olmos shows the intimate damage of the civil war with office equipment. Finally, in Letters from my father, the very great Agnès Limbos represents herself at 8 years old in a red psychoanalyst chair to capture the resonances of the Belgian colonization of the Congo.

Read also: Corinne Grandjean: “Whatever its form, the puppet allows you to intensify the dramatic force of the subject”

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