“You should have been a teacher, you are reduced to correcting French mistakes on Facebook”

The famous buzz (Viviane) has passed, but the rag is still burning between the artist Maalhox and all those he sees for having played a dirty trick on the artist Prince Aimé.

On Facebook, the artist author of the hit “it comes out as it comes out” made new revelations involving the name of Debordo Leekunfa in a story linking Waxdey.

“By stating in a live broadcast that you had given verbal authorization to Debordo as publisher to release the song and you still went behind to block the sound on YouTube

Even Debordo can sue you for non-compliance with your commitments and sabotage and you risk paying very dearly for the damage caused to it.

My brother Waxdey knows that it is not because you have lasted on the benches that you are wise; all this risks falling on you and you alone, Mr. Editor”, Cameroon published nicely.

The post, however, did not go unnoticed by the Ivorian Hassan Hayek who took the opportunity to spread the word. The latter, against all expectations, took the time to correct the errors in Maalhox’s publication.

“As (in time). Pursue (pursuit). You risk (I risk, you risk, he or she risks, we risk, you risk, they risk). When you finish, let us know who won so we can deal with them! “, commented Hassan Hayek.

A nervous reaction that the Cameroonian did not appreciate at all. “Hayek Hassan you really missed your vocation as you got the wrong nationality you should have been a teacher at La Sorbonne but alas here you are in Ivory Coast reduced to correcting French mistakes on Facebook for a few likes As if the networks social services had become a dictation competition »demonstrated Maalhox.

As a reminder, the tension between Maalhox and the Ivorians arose from Debordo’s remix of the song “Viviane” by Prince Aimé which unfortunately did not come to fruition as expected.

Since then, competition has raged between the two camps. Maalhox, one of the key players in this collaboration, multiplies his releases making accusations against the artists who played to the disadvantage of the original author of the song.