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Reviews: Balance 2024: The best films seen at festivals

We had already published the balance of Argentine cinema and series and soon we will do the same with the lists of the best releases in theaters and streaming services.

Top 3

Anora (United States), by Sean Baker

Mercy / Misericordia (-Spain-Portugal), by Alain Guiraudie

On Falling (United Kingdom, Portugal), by Laura Carreira

40 Other Great (In Alphabetical Order)

I'm Still Here / I'm Still Here (Brazil, Francia), by Walter Salles

All We Imagine as Light (India-France-Netherlands, Luxembourg), by Payal Kapadia

Savanna and the Mountain (Portugal-Uruguay), by Paulo Carneiro

Bird (United Kingdom-France), by Andrea Arnold

Black Dog (China), by Hu Guan

Bogancloch (United Kingdom, Germany, Iceland) by Ben Rivers

By the Stream / Suyoocheon (South Korea) by Hong Sangsoo

Caught By the Tides / Feng Liu Yi Dai (China), de Jia Zhang-ke

City; Field (Brazil, France, Germany), by Juliana Rojas

Cloud (Japón), de Kiyoshi Kurosawa

Coolie Never Cries / Coolie Never Cries (Vietnam-Singapur-Francia-Filipinas-Noruega), de Pham Ngoc Lan

Dahomey (France-Senegal-Benin), by Mati Diop

Familiar Touch (United States), by Sarah Friedland

Favorites (Austria), de Ruth Beckermann

Grand Tour (Portugal-France-Italy), by Miguel Gomes

Hard Truths / My only family (United Kingdom-Spain), by Mike Leigh

Henry Fonda for President (Austria-Germany), by Alexander Horwath

The Prisoner of / Visiting Hours (France), by Patricia Mazuy

The wild years (Chile), by Andrés Nazarala

Manas (Brazil, Portugal), by Marianna Brennand

Oasis (Chile), by Tamara Uribe and Felipe Morgado

Ospina Cali Colombia (Portugal), by Jorge de Carvalho

Peaches Goes Bananas (France-Belgium), by Marie Losier

Pepe (Dominican Republic-Namibia-Germany-France), by Nelson Carlos de los Santos Arias

Hail Mary / Mother Don't (Spain), by Mar Coll

Second prize (Spain-France), by Isaki Lacuesta and Pol Rodríguez

78 Days / 78 dana (Serbia), de Emilija Gasic

Sing Sing (United States), by Greg Kwedar

Subject: Filmmaking / Filmstunde_23 (Germany), by Edgar Reitz and Jörg Adolph

Dirty (Mexico), by Astrid Rondero and Fernanda Valadez

Lonely afternoons (Spain, France, Portugal), by Albert Serra

The Damned (Italy-United States-Belgium), by Roberto Minervini

The Shrouds (Canada-France), by David Cronenberg

Through the Graves the Wind Is Blowing / Through the Graves the Wind Is Blowing (United States) by Travis Wilkerson

Toxic (Akiplääsa, Lithuania), by Saulė Bliuvaitė

A swinging shadow (Chile, Argentina, Spain, France), by Celeste Rojas Mugica

Vermilion (Italy, France, Belgium), by Maura Delpero

Twenty gods (Francia), by Louise Courvoisier

You will return (Spain), by Jonás Trueba

Youth (Hard Times) / Qing chun (Ku) (France, Luxembourg, Netherlands), by Wang Bing

Bonus 1: Three short films

It's not me (France), by Leos Carax

Urban Allegory / An Urban Allegory (France-Italy), by Alice Rohrwacher and JR

The Man Who Could Not Remain Silent (Croacia-Francia-Bulgaria-Eslovenia), de Nebojša Slijepčević

Bonus 2: My movie buff event

Napoleon by Abel Gance (1927), on the first day of the Film Festival

Bonus 3

The retrospective of 22 titles Violent Italy. Italian crime cinema at the San Sebastian Festival

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